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There’s a certain alchemy at play here: Brad Bird is one of the only directors on par with Steven Spielberg when it comes to turning action sequences into absolute dynamite. His staging is impeccable, framing every jump and kick so that the eye knows exactly where to go, and fueled by ideas rather than just the necessity of getting from point A to point B. Combine his sensibilities with a score by Michael Giacchino, who isn’t just emulating John Barry (who scored 11 of the James Bond films and met with Bird about composing for the movie) but feeding his aural aesthetic through a jazzy adrenaline high, and you get a movie that, 14 years on, still runs circles around its peers. The colors all pop, the score is full of catchy hooks, there’s not a single visually incoherent set piece, and the characters all land. Suffice to say that most of the superhero movies that have come out in the intervening years haven’t quite managed that gauntlet. So what a delight it is that Incredibles 2, which picks up exactly where its predecessor left off, is full of the same verve.
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